The Maps and Beings of Evermind

For several years, maps, sign systems, territorial charts and beings have emerged across drawings, paintings, and objects. They belong to a continuously expanding visual world governed by its own coordinates and relations.

Developed in dialogue with different artists, this body of work introduces new constellations, environments, and entities. Painting, cartography, notation, and speculation intersect to form an open visual framework.

Karte der Republik Jederzeit is a medium format work made by acrylic colors and marker on grayboard. The work consists of colored zones, graphic structures, and displaced segments. Sections of the support have been cut out, rotated, and reinserted, producing shifts in orientation and continuity. The composition adopts the language of cartography while operating according to its own spatial logic.

Sphären-Ausschnitt is a dyptych. The lower element is structured by vertical incisions running through fields of color. Above it, a separate square panel presents a red star against an ultramarine ground. Together, the two components establish a relationship between image, sign, and object. Their connection remains precise yet unresolved.

Mit den Augen hören (Listen with the eyes) is a work organized through rhythm, density, and visual movement. Lines, marks, and color fields unfold across the surface like a notation system.

Memorial Map of Tushita is a small format acrylic color painting on MDF with gold leaf application. An ultramarine field carries a constellation of gold markers distributed across the surface. The edges of the panel are framed in red, green, yellow, and black. The work combines elements of star charts, mapping, inscription, and iconography. Color, position, and material function as its primary coordinates.

The Maps and Beings of Evermind forms part of a broader investigation into image systems, imagined territories, and cultural codes. Related works can be found in the series Mindscape and Pixelverse.